The Dome Area –the II stage object of “Duman” Entertainment Centre. The construction began in February, 2004. The period of construction is 24 months. The real duration is 13 months. The Circle diameter is 90 meters. The Dome diameter is 70 meters. The height of floors is 4.75 meters. The height of dome area from the point of reinforced concrete ring is 12 meters. 2 floors with dome cover. The space area is 16 000 sq. Meters. The volume is 13 000 cubic meters. The throughput capacity is 2360 people.
Construction decision: solid reinforced concrete with aluminium dome roofing on steel bended beams, bended with upper and lower steel rings.
 Composition on the wall of the second Central entrance, symbolically called by the author – the chairman of the Union of artists Sembigali Smagulov – “Milky Way”, represents the sample of modern monumental painting. The festiv colour decision of composition corresponds with the purpose of the Entertainment Centre and underlines this place. The composition carries heraldic, decorative loading, that’s why one can see the attributes of national products, adornments, sacral signs, for example, sun face divinities, or the features of known characters from fragments of ancient Kazakh myths.
The model of Kozha Ahmet Yassavi mausoleum is made by the members of the Union of artists of Astana under guidance of Sembigali Smagulov. The model represents fragment of mighty architectural memorial of Kazakh art of building (Turkestan, XIV c.), it symbolizes and embodies the memorial-relic of Kazakh nation. The door of mausoleum – the exact copy of real one. It is made manually.
The golden diadem – the fragmentary reiteration of diadem (V B.C.), found in the tract of Kargaly. The item of the adornment, made in Saks beast style may compete and even eclipse the ancient Egyptian pattern by its originality and antiquity. It is so harmonic, that size increase did not influence on composition and attractivity of diadem.
The Independence Monument of Kazakhstan – the exact copy of famous statue, made by Adlet Dzhumabayev with application of modern technology(resin).
Fragment of Kazakh national fairy tale “The forty tales with the main hero Tazsha bala” – the lucky personification of quick wit and resourcefulness of Kazakh nation in inventive art. In “Forty tales” fairy tale, which still cannot be translated exact to Russian and other languages, the shepherd wins the cruel khan. He had to tell forty tales, then he married khan’s daughter and becomes a vizier.
The attraction “Baiterek” – the copy of rocket with view ground of space centre “Baikonur”.
Also in theme area of Kazakhstan there are: the model of ancient settlement, the memorial of unity of Saks nations, and “Kazakhstan” fountain.
On the back side of skyscrapers in the theme area of America the art painting: on the right hand side devoted to Aztec art, on the left hand side – the America discovery.
 The model of the Statue of Liberty – one of the best known sight seeings of America, which is located at the entrance to New York harbour. It was presented of the people of France in 1884, the statue is a symbol of the United States, which embodies the freedom and wide opportunites of this country, which occupies the big part of analogous continent. The statue symbolizies the freedom in the form of woman in refined clothes, holding the torch. On her haed there is a crown with seven merlons, symbolizing seven seas and seven continents. On her left hand, she holds a plate with written date of American Declaration of Independence – the 4th of July 1776.
The model of wigwam - the cupola like dwelling of wooden Indians of North America – algonkins. When construcing the wigwam the Indians stick the bended tree trunks into ground in the shape of circle or oval, then bend their tops into the vault. The frame of wigwam they cover with branches, crust, mat.
Totems. The models. The objects of worship of Indian tribes. The idea of totemism (Indain “totem” means kin) in worship to an animal or plant as to mythological ancestor or protector. The personal totems were issued not to everybody, but to men only or the chiefs and sorcerer.
“Golden mind” attraction.
Theme area of Europe is represented by Greek architecture.
The model of ruinous Galicarnass mausoleum, erected in the honour of king Mavsol and queen Artemisia in IV B.C. in author’s execution. Mavsol was dreaming of mighty memorial, which would remind the world about his prosperity and powerfulness long time after his death. Mavsol died before construction completion, but his widow kept carrying on the construction until its full end. The tomb was called Mausoleum, in the name of king, and this word means any mighty and great tomb.
The Pergam altar. II B.C. the Model. In the memory of the great victory over plentiful galats the pergams have erected the Zeus altar in the middle of their capital city – Pergam: the marble dais for sacrifice of the Supreme God of Greeks. The sculptors of Pergam have fixed the desperate battle between gods and giants, where there is no place for doubt or mercy on the relief of the altar. All of the ancient Greece gods take part in this battle: the slender goddess Artemis with the bow and quiver, the god of Sun Helios, which stands up, ruling his fire horses, three headed and six handed Hekata and many giants, which are furious, suffering or exhausted from the wounds.
Parphenon. Athens, V B.C. Model. The top of Greek architecture – Parphenon – the temple of goddess Athens Parphenos (Virgo), built in the V c. B.C. by Ikteen and Kallicrat in Athens, the most famous and rich of the cities of Greek nations. The building’s mightiness is endless. Its secret is in exclusive perfection of brilliant proportions of parts. The proportions of Parphenon are made suchh way, that when man approaches it, he feels himself taller, his shoulders feel wider: Greeks were trying to make architecture to put the vivacity into men and inspired with confidence in himself.
 “The discus-thrower” statue. The copy. The author is the great sculptor Miron has depicted the beautiful young man at the moment, when he is about to throw the heavy disk. His body, captured by the movement is bended and strained, as a string ready to expand. Under the scin of his arm behind his back his trained muscles have appeared. His toes make a good support, are deep inside the sand.
The “Doriphor” statue. V c. B.C. Copy. The sculptor Policklet. Unlike his contemporary Miron, Policklet liked to depict the athlets not during the excersises, but during resting. Doriphor is a powerful bodied man is full of self-respect. He is standing with no movement in front of the spectator. But this is not a static rest of the ancient Egyptian statues. In front of us there is a man, free of fear, proud and reserved, he is an incarnation of merits of the warrior and citizen. The statues of Miron and Policklet were casted from bronze, but we recieved only marble copies from ancient Greek originals, made by Romans.
Statue of “Athen Promahos”. 438 B.C. Athens. Copy. Sculptor Phidiy. The giant statue of “Athens Promahos” with the spear, shining under sun, has adorned the acropolis in Athens, where the temples Erehteion and Parphenon were devoted to the goddess. The main epithets of Athens, which was endowed by civil functions are Poliada (“municipal”) and Poliuhos (“city regent”). The memorial of glorification of the wise ruler of Athens state, the founder of Areopagus is an Eshil’s tradegy “Eumenida”.
The statue of “Aphrodita”. The goddess of love and power.
The theme area of South East: the Chinise architecture.
The fragment of the Great Chinese Wall. IV – III cc. B.C. the 8th World Wonder, the longest in the world, “10 thousand lee wall”(lee=576 meters) – that’s how they called the Great Wall in different times. The famous structure is streched through the whole North China from east to west. Once it falls into the gorges, once it climbs up to the crests, once it crosses the sands. The Great Wall is about 2000 kilometers long by the straight line, and with all the branches is about 4000 kilometers. It streches from east to west from Shanhaiguan on the coast of Liaodun gulf to Tziayuiguan(Gansu province). The height is 6.6 meters (about 10 meters on separate parts). The height of the lower part about 6.5 meters, the upper – 5.5 meters.
 Yet in V-IV cc. B.C. for protection from nomadic tribes on the north of China the long walls were erected. The first emperor Zin Shi Huandi has planned to connect the parts of already existing walls into one grandly fortification of all the northen borders of the empire. The execution of this humanic and grand idea was approached with cruel methods. The work was continued during any weather.
The Great Chinese Wall was rebuilt in later centures. In XV-XVI cc. around previous walls and towers the powerful stone fortifications were erected. In the fortresses at the wall the permanent garrisons secured the border, during anu danger they would burn the fire signals.
This is one of the structures, seen from the space.
Hotei (“canvan bag”) – the figure of diety, the symbol of prosperity, wisdom and generosity. Hotei – one of seven gods of happiness. He predicts people’s destiny, and helps in wishes to come true. There is a belief, that if one would rub the stomach of figure, thinking about something good, his wishes will come true.
Pagoda (sancr. word “bhagavat” - saint) – buddhistic memorial structure, the storage of relics, usually looks like a tower, consisted of a few floors. Each of them has its own roof.
|
